His movie making style was something I had never witnessed before: one that relied not on some stable narrative, but in exploring a dramatic and surreal atmosphere not made out of contrived scenarios or gripping characters, but the raw fabric of life itself albeit, in its most unexplored and least exposed sectors.
When I saw Gummo at the ever-impressionable age of thirteen, it changed my life. Harmony Korine, the savant boy genius auteur who created the piece, was the director who opened my mind to the possibility of film. Spring Breakers has been my most anticipated film for some time now. To say that I’ve been excited about this movie for some time would be like saying that the summer breeze is only slightly beautiful or that swans are only slightly majestic. However, for the purposes of Spring Breakers I find that I just can’t hold myself to that kind of integrity. I believe that the fairest criticism of any artistic medium should always be through the least biased, most objective view possible.
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